|
Posted on 10.21.07 by djdannyd @ 07:41:40
I am a huge fan of Wally Heider…By 1969 he was an established recording legend in popular music recording, recording many big band and pop acts in the early ‘60s. He also owned and ran one of the most successful independent studio facilities and remote recording outfits in the world. One of the greatest trend setters in the music industry… Filed under: Firsthand Stories Comments: None |
|
Posted on 09.21.07 by mcmanus @ 23:33:06
I just found this site by chance and was surprised to find myself mentioned here in April 2005 with a link to the When Vinyl Ruled 2000-AES historical exhibit I was involved with in Los Angeles back in September 2000. Time certainly does fly, as it is really hard for me to believe that it has been seven years since that event. Although I never met Wally and he had been gone over ten year by the time of this exhibit, I feel that Wally made several significant contributions to the success of this exhibit which I will mention for the benefit of those who did not have the opportunity to visit the exhibit. First, if you look closely at the picture below you will see a framed picture to the left of the UA console. That picture shows Wes Montgomery sitting and Orrin Keepnews of Riverside Records standing in front of the very same UA console on June 25, 1962 in the backroom of Tsubo a club in Berkeley. Although Wally is not shown in the photograph, Wally’s live recording of this same performance through the UA console shown onto an Ampex 351-2 was released as the Riverside LP “Full House.”
Elsewhere on this site Dale Manquen eloquently tells the story of his trip with Wally to the 1966 Monterey Jazz festival with the prototype Mincom recorder. Even though I first met Dale in 1975 when I was in his very first professional tape recorder theory and maintenance class and I have heard many of his wonderful stories, the first time I have heard this story is when I visited this website. In 2000 when I was planning the AES exhibit I contacted Dale, asked if would mind providing some of his 3M artifacts for the display, and he told me he would be pleased to do so. Dale brought some photographs and machine prototype assemblies which were of much interest to many visitors. Now once again if you look closely at the picture you will see three ½ inch tape boxes leaning in front of the Ampex 300 door on the lower right. Amazingly enough those three 3-track tapes shown were also recorded by Wally live at the Monterey Jazz Festival, except earlier on September 22-23, 1963. Had I only known in 2000 that Dale had been with Wally at the 1966 Festival I would not only have asked him about his experience, but I also would have made sure that Dale heard playbacks of the tapes that I had. Naturally the tapes sounded fantastic and went over very well with the many exhibit visitors. The artists were Jack and Charlie Teagarden with Pee Wee Russell and two sets by the Harry James Orchestra with vocalist Ruth Price. Thanks to Stephen for setting up this site, to Dale for sharing so much knowledge with us over the years, and to Wally for helping to make When Vinyl Ruled a success. Filed under: Firsthand Stories and Other Recording Stories Comments: 1 Comment |
|
Posted on 08.05.07 by admin @ 19:20:59
This is an email I just got from Jeff Cleland at Hyde Street studios, the occupants of the original SF Wally Heider Studios building. From: “Jeff Cleland” info@hydestreet.com You were sent this because I thought you might have some interest as to what becomes of the building that currently houses Hyde Street Studios, as well as a number of other music related businesses. As you may be aware, the building at 245 Hyde St. was recently sold to a real estate developing firm in Oakland, which has plans to gut the interior of the building, add two additional floors, and turn it into condos. The San Francisco Planning Department is currently preparing a report on the property that could significantly effect the building’s final outcome. (more…) Filed under: Firsthand Stories Comments: None |
|
Posted on 03.28.07 by mirage @ 07:18:41
I was working at Filmways/Heider Recording in 1978 as an aspiring engineer. They had us doing everything but what I wanted to do. After 5Pm we all had a chance to answer the phone system. One night this guy calls up for Ray Thompson’s home phone number and I wouldn’t give it out since we were told to not do that. The next day some man stuttering comes up to me and asks if I was the one who took his call. I said yes and he said “Hi I’m Wally Heider! and I owe you one”. Anyway, it was interesting for the short time I was there. Bruce@miragesound.com Filed under: Firsthand Stories Comments: None |
|
Posted on 03.15.07 by admin @ 11:43:15
I’ve seen this happen a couple of times – a person writes a piece for the blog and it apears password protected. It’s not you—it’s this ambiguious Wordpress software. If you are viewing an edit/author page, then you are already ‘connected’ and recognized – you do NOT need to put anything in the PASSWORD field. This is only for private messages, which we don’t want anyway. So please ignore the ‘post password’ field on the WRITE POST page until I can find a way to defeat it. For NEW REGISTEREES: It can take up to 12 hours for me to get to authorizing someone’s registration, and I approve each person independently. After I see that the person is ‘real’ or I know who you are, I will go ahead and grant authoring privleges. From then on, you may post away with no more checking. I’ve already avoided a lot o spambots this way. Also I’ll mention to the lurkers that it is not necessary to register if you don’t plan to post or comment. But it’s always nice if you do. stephen barncard Filed under: Firsthand Stories Comments: 1 Comment |
|
Posted on 03.11.07 by Peter Granet @ 20:27:28
1970; I was working at National Recording in New York. National was in the building torn down to make room for Trump Towers. One day Duke Ellington and his brother Mercer came into the studio to record a few compositions with a new sax player. Johnny Hodges had just died and the poor guy was up against a legend. The session should have been handled by Frank Kulaga but he was sick that day and I was free. The session went very well and at the end a man approached me and introduced himself as a friend of Wally Heider. He asked if it would be okay to tell Wally about me and the session. Two weeks later Wally enters National, introduced himself to the office staff and asked to speak with me. I was busy recording some tracks with another Jazz great; Chico Hamilton. My wife Cag was working in the office and quickly pulled Wally into the hall fearing for my potential unemployment. We met at a local restaurant for lunch and after 15 minutes he offered me a job in Los Angeles as a staff engineer working in his newest Studio 4. He said it would be finished in about four months. I agreed to move and thought 4 months was enough time to tie up loose ends and move on. Two weeks later he called a told me he wanted me to report to The Johnny Cash Show in Nashville in two weeks. I reminded him of the 4 month time frame. I asked him to give me some time to think it over. He agreed and called me the following afternoon for my answer. Obviously I agreed. I’ll tell you more in a few days. All my best to everyone who shared that magical time with that one in a million Wally, Peter Granet tonmeister2005-AT-netzero-DOT-com Filed under: Firsthand Stories Comments: None |
|
Posted on 02.12.07 by jsimon @ 15:31:55
my name is Jim Simon and i worked a Filmways/Heiders from 1978 till it closed in 1983. at that point Wally was just a figurehead , but the last time i say him was the best time. first a little history.Filmways which claimed bankrupt and reformed as Orion pictures went on to great things but no so for Heiders it was peice mealed .first Hyde street and dose anybody remember the name of the studio supply co was it ASE? was sold of in parts it was ugly. then they find a buyer for all of Hollywood which included cauhunga /RCA studio’s / and what was know as studio 4 the LEDE room/ remotes truck which were two in till it was rolled it was like a studio in a blender it was ugly. so the new studio owner was Janna Feliciano well her management style was different to say the least Filed under: Firsthand Stories Comments: 1 Comment |
|
Posted on 02.05.07 by admin @ 11:39:01
Filed under: Firsthand Stories Comments: None |
|
Posted on 12.14.06 by Rebel @ 15:10:16
This is part two of this article. To see part one, go to http://wallyheider.com/wordpress/archives/rebel/39/ San Francisco Between late 1968 and early 1969 I made several trips to San Francisco to help prepare the studios for opening day. The original staff members included studio manager Mel Tanner, formerly an engineer at Coast Recorders in San Francisco. Ginger Mews ran the traffic office and Harry Sitam was the tech engineer. George Fernandez joined the group a short time prior to opening day. Although based in Hollywood, Frank DeMedio remained the chief tech engineer. Wally put me up in the Lafayette Hotel (now the Midori) on Hyde Street, directly across from the studio. Well, the Lafayette was not exactly deluxe accommodations. I only slept in the Lafayette, however, and spent all my time working in the studios. Most weekends I went home to Southern California. Filed under: Firsthand Stories Comments: 1 Comment |
|
Posted on 10.03.06 by Pat Tobin @ 00:26:31
I was probably one of Wally’s earliest associates in Los Angeles/Hollywood. In 1959 I was the tech service guy for Ampex in Los Angeles. Late one afternoon I got a call from a guy in Oregon who talked so fast and stuttered so bad that it was difficult to understand him. Eventually I got the drift that he was to record the Terry Gibbs big band that weekend in Hollywood. Wally lived in Oregon and was having someone drive down, pulling his recording equipment in a trailer. (Later, when we were better acquainted, I learned that in college he had known the son of the man who founded U-Haul. Wally got U-Haul to custom-build a closed trailer to his specs. The entire floor of the trailer was covered by a mattress, soft riding for delicate recording equipment.) This frantic, stuttering guy wanted to have his Ampex 351-2’s checked over and carefully aligned for the recording sessions. The next day a guy showed up with the equipment. I carefully checked out the Ampexes and put a spit shine on the alignment. It was the beginning of a long-time, supremely interesting relationship with many ups and a few downs. If you knew Wally well, there was never a dull moment in your life. Filed under: Firsthand Stories Comments: None |
| « newer posts | previous posts » |

