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	<title>Recording Wally Heider</title>
	<link>http://wallyheider.com/wordpress</link>
	<description>a weblog dedicated to the legendary Wally Heider, his studios, and the people that worked there.</description>
	<lastBuildDate>Tue, 26 Jan 2010 22:39:04 +0000</lastBuildDate>
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		<title>Anyone work on Aretha&#8217;s &#8220;Amazing Grace&#8221; album?</title>
		<description><![CDATA[Aaron Cohen to wallyheider2
show details 18 Jan 2010
message&#8230;
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Hi Stephen,
I&#8217;m writing a book about Aretha Franklin&#8217;s &#8220;Amazing Grace&#8221; album, which Ray Thompson engineered for Wally Heider. If you could help me get in touch with anyone from Wally Heider\&#8217;s company who participated in this live recording, and would be able to speak about it for the [...]]]></description>
		<link>http://wallyheider.com/wordpress/2010/01/anyone-work-on-arethas-amazing-grace-album/</link>
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		<title>RUSS GARY&#8217;S Recollections Part Two</title>
		<description><![CDATA[This is part two of this article. To see part one, go to http://wallyheider.com/wordpress/archives/rebel/39/
San Francisco
Between late 1968 and early 1969 I made several trips to San Francisco to help prepare the studios for opening day. 
The original staff members included studio manager Mel Tanner, formerly an engineer at Coast Recorders in San Francisco. Ginger Mews [...]]]></description>
		<link>http://wallyheider.com/wordpress/2010/01/russ-garys-recollections-part-two/</link>
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		<title>Reflection &amp; Recollections pt1 by Russ Gary</title>
		<description><![CDATA[Noted CCR mixer Russ Gary Talks about his Heider experience...

When Wally Heider was an assistant engineer at United/Western Studios on Sunset Blvd. in Hollywood, he was the biggest big band enthusiast on the planet and would take his portable tape recorder to gigs and record the show so the guys in the band could hear their performance.  He kept the recordings for his own enjoyment.  He made friends in all the big bands of the day, and when bands came to United/Western to record, they would ask for Wally as their engineer.  Thus, Wallyâ€™s career took off. 
]]></description>
		<link>http://wallyheider.com/wordpress/2010/01/rebel1/</link>
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		<title>Heider Truck in Long Beach 1977</title>
		<description><![CDATA[
CLICK THE PHOTO FOR FULL SIZE
This is a photo of the Wally Heider Recording truck on location during the recording of Boston, Long Beach 77\&#8217;.
I was on the sound crew for Boston and I happened to take the photo.  It is fairly low res. but it might be good for this site.  The recording can be [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/05/heider-truck-in-long-beach-1977/</link>
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		<title>Wally Explains Horn Player Miking</title>
		<description><![CDATA[One time I was examining a horn miking setup in Studio B (at Ivar) with Wally. He told me the coolest, simplest horn miking technique I have ever heard of. &#8220;Sherman,&#8221; he said, &#8220;we always used to put the horn mike slightly above where the player&#8217;s horns were when they were seated. Especially for a [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/03/wally-explains-horn-player-miking/</link>
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		<title>Wally&#8217;s Tale of &#8220;The Beginnings&#8221;</title>
		<description><![CDATA[A long long time ago I was speaking to Wally who was visiting me in the original Studio 3 off Selma. One thing I remember that Wally told me was that, when the studio was first built and wired, that there was a terrible hum in the (ancient) recording console. No matter how well they [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/03/wallys-tale-of-the-beginnings/</link>
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		<title>Reminder to authors</title>
		<description><![CDATA[Please only use returns for separating paragraphs, the software here will display word wrap properly on display; if one puts extra returns at the end-of-lines, the text will look bad and hard to read on the page and I&#8217;ll have to go in an fix it.  This happens because the fields one enters text [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/03/reminder-to-posters/</link>
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		<title>Truth?</title>
		<description><![CDATA[I seem to remember Wally not around for a week, which was odd for &#8220;Mr. Hands On&#8221;. This was in &#8216;69
or so. Turned out he heard about some tube mics for sale, in France! I think they were U-67s or 47s.
]]></description>
		<link>http://wallyheider.com/wordpress/2009/02/truth/</link>
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		<title>Life at W.H.R. Hollywood</title>
		<description><![CDATA[  I started working at the L.A. studios when the takeover by Filmways was in swing. Having Wally take a back seat was not a good move. There was enough work running the studios, remote recording, Jimmy Hite’s empire in the smaller studios and the now added RCA studios with Grover Helsley scoring in [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/02/life-at-whr-hollywood/</link>
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		<title>what a shame.</title>
		<description><![CDATA[As I was researching my history about the times with Wally, I was deeply saddened to know of the
passing of Nicky Hopkins and John Cipollina; two of the best musicians ( and most fun to be around)
I ever worked with.
]]></description>
		<link>http://wallyheider.com/wordpress/2009/02/what-a-shame/</link>
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