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	<title>Recording Wally Heider</title>
	<link>http://wallyheider.com/wordpress</link>
	<description>a weblog dedicated to the legendary Wally Heider, his studios, and the people that worked there.</description>
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		<title>The Wally Heider Orchestra</title>
		<description><![CDATA[Wally had a dance band in the 40&#8242;s and Biff Dawes found an acetate (one-off-disk recording) of the band live: Did Wally himself set this up? check out       THE WALLY HEIDER ORCHESTRA]]></description>
		<link>http://wallyheider.com/wordpress/2010/05/the-wally-heider-orchestra/</link>
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		<title>My sister was Ginger Mews&#8230;.</title>
		<description><![CDATA[Ginger passed away May 19, 2000 at the young age of 59.  (She came to be with us on Christmas Day 1999 with the hope treatment for her cancer would buy some time.)  We later flew to SF and had a wonderful celebration of her life.  There is a memorial bench in Golden Gate Park [...]]]></description>
		<link>http://wallyheider.com/wordpress/2010/05/my-sister-was-ginger-mews/</link>
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		<title>Anyone work on Aretha&#8217;s &#8220;Amazing Grace&#8221; album?</title>
		<description><![CDATA[Aaron Cohen to wallyheider2 show details 18 Jan 2010 message&#8230; &#8212;&#8212;&#8212;&#8212;&#8212;- Hi Stephen, I&#8217;m writing a book about Aretha Franklin&#8217;s &#8220;Amazing Grace&#8221; album, which Ray Thompson engineered for Wally Heider. If you could help me get in touch with anyone from Wally Heider\&#8217;s company who participated in this live recording, and would be able to [...]]]></description>
		<link>http://wallyheider.com/wordpress/2010/01/anyone-work-on-arethas-amazing-grace-album/</link>
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		<title>RUSS GARY&#8217;S Recollections Part One</title>
		<description><![CDATA[Noted CCR mixer Russ Gary Talks about his Heider experience...

When Wally Heider was an assistant engineer at United/Western Studios on Sunset Blvd. in Hollywood, he was the biggest big band enthusiast on the planet and would take his portable tape recorder to gigs and record the show so the guys in the band could hear their performance.  He kept the recordings for his own enjoyment.  He made friends in all the big bands of the day, and when bands came to United/Western to record, they would ask for Wally as their engineer.  Thus, Wallyâ€™s career took off. 
]]></description>
		<link>http://wallyheider.com/wordpress/2010/01/rebel1/</link>
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		<title>RUSS GARY&#8217;S Recollections Part Two</title>
		<description><![CDATA[This is part two of this article. To see part one, go to http://wallyheider.com/wordpress/archives/rebel/39/ San Francisco Between late 1968 and early 1969 I made several trips to San Francisco to help prepare the studios for opening day. The original staff members included studio manager Mel Tanner, formerly an engineer at Coast Recorders in San Francisco. [...]]]></description>
		<link>http://wallyheider.com/wordpress/2010/01/russ-garys-recollections-part-two/</link>
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		<title>Heider Truck in Long Beach 1977</title>
		<description><![CDATA[CLICK THE PHOTO FOR FULL SIZE This is a photo of the Wally Heider Recording truck on location during the recording of Boston, Long Beach 77\&#8217;. I was on the sound crew for Boston and I happened to take the photo.  It is fairly low res. but it might be good for this site.  The recording [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/05/heider-truck-in-long-beach-1977/</link>
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		<title>Wally Explains Horn Player Miking</title>
		<description><![CDATA[One time I was examining a horn miking setup in Studio B (at Ivar) with Wally. He told me the coolest, simplest horn miking technique I have ever heard of. &#8220;Sherman,&#8221; he said, &#8220;we always used to put the horn mike slightly above where the player&#8217;s horns were when they were seated. Especially for a [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/03/wally-explains-horn-player-miking/</link>
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		<title>Wally&#8217;s Tale of &#8220;The Beginnings&#8221;</title>
		<description><![CDATA[A long long time ago I was speaking to Wally who was visiting me in the original Studio 3 off Selma. One thing I remember that Wally told me was that, when the studio was first built and wired, that there was a terrible hum in the (ancient) recording console. No matter how well they [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/03/wallys-tale-of-the-beginnings/</link>
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		<title>Reminder to authors</title>
		<description><![CDATA[Please only use returns for separating paragraphs, the software here will display word wrap properly on display; if one puts extra returns at the end-of-lines, the text will look bad and hard to read on the page and I&#8217;ll have to go in an fix it. This happens because the fields one enters text into [...]]]></description>
		<link>http://wallyheider.com/wordpress/2009/03/reminder-to-posters/</link>
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		<title>Truth?</title>
		<description><![CDATA[I seem to remember Wally not around for a week, which was odd for &#8220;Mr. Hands On&#8221;. This was in &#8217;69 or so. Turned out he heard about some tube mics for sale, in France! I think they were U-67s or 47s.]]></description>
		<link>http://wallyheider.com/wordpress/2009/02/truth/</link>
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